My editorial cartoons have found homes in L'Orient-Le Jour, The Economist, and other publications. Beyond political jabs, I collaborate with organizations to tackle human rights and humanitarian issues, using illustrations and humor to make heavy topics a little easier to swallow.

I create illustrations that swing between ink’s precision and the chaos of occasional collages. My themes are as varied as the moods I work through, from existential dread to lighthearted irony.

When ink and paper won’t cut it, I take my work on-camera. My documentary news program, The Great Map of the Crisis, blends satire with education, proving that history lessons don’t have to be boring.

Musician might be ambitious, but I do play the piano. I’ve even managed to produce two albums, with help from other musicians—real ones.